「💿⌒🎶🎵 º.· 001 」Living Music
From the cozy confines of a living room, where the walls have absorbed the echoes of countless melodies and the air is thick with the residue of musical reveries, emerges a unique perspective on the world of music videos (MVs). Imagine this space, not just as a room, but as a living entity that has witnessed the evolution of music and its visual counterparts. Here, where the line between audience and performer blurs, the MVs we cherish are not merely watched; they become a part of our shared experience.
Much like in "Bayonetta 3," where entering a shop is as simple as playing a record and the scene instantly shifts into the store, different music videos transport us to various otherworldly realms in a vividly tangible way. My initial encounter with the fusion of music and visual impact was through Disney's "Fantasia 2000" as a child. This experience seemingly laid the foundation for my enduring affection towards music videos and even musicals.
In our living room, music videos are a common sight, albeit without the presence of a traditional sound system. Here, there isn't a fixed DJ; rather, it's a place where whoever has a tune or a video in mind simply plays it. This spontaneous exchange of musical choices among us and our guests transforms the space into a dynamic and inclusive arena for musical exploration. It's precisely this fluid and communal approach to music and video sharing that has inspired the theme of music for the opening entry of our living room diary.
🕸️德勒兹的思想中预言，一种联想、网状、去中心化的结构主导着我们的大脑和社会，xuan在客厅里思考着这一切，发现自己也深陷其中、难以拒绝。我发现自己也被以这种方式入侵，置物架上粘连着的电饭煲和喷漆工具是一种随机行动轨迹的暗示，连叙述的文字也以这种毫无章法的方式排列，音乐的符号在我体内跳动，跃入白墙上的投影，跳到你眼前的屏幕。
In Deleuze's philosophy, it is prophesied that a structure characterized by association, networking, communication and decentralization dominates our brains and society. Xuan, pondering over all this in the living room, finds himself deeply immersed and unable to resist. I discover myself invaded in the same way, with the rice cooker and spray paint tools together on the shelf serving as hints of random trajectories, even the narrative text arranged in this haphazard manner. Musical symbols pulsate within me, leaping onto the projections on the white walls, and jumping onto the screen before your eyes.
🦎
ꪊρᦓꪖꪑꪑꪗ - Echo Boomed
upsammy_关于_水晶般的旋律_错综复杂的节奏_电子_IDM_呼吸_永恒性和空间性_滑动_速度_有机触摸_数字化自然_叙事
upsammy_ about_ crystalline melody_ intricate rhythm_ electro_ IDM_ breathing_ perpetuity and spatiality_ slide_ tempo scales_ organic touch_ digitised nature _ narrative
🖲
Jamiroquai, an English funk and acid jazz band hailing from London, was formed in 1992. Their song "Virtual Insanity," released in 1996, resonates even more today than at its initial release. The lyrics presciently forecast the era of virtual reality and information overload that characterizes our current society, stating, "Futures made of virtual insanity, now."
Interestingly, the music video, known for its illusion of a moving floor, achieves this effect through the movement of the room itself, a creative decision made to save on budget. This serves as a metaphor for our immersion in the virtual world. We feel as though we're moving, yet we remain stationary. It's the unseen efforts of many that propel our world forward.
Yellow Magic Orchestra – Rydeen
4:3迷恋_复古未来主义_ Futuristic cityscape_合成_童年经典_无须多言_多视角组合_拼贴_古早动画_失恋阵线联盟_旋转_差异与重复_跳舞机_宇宙飞船_街机游戏_windows98_
4:3 Obsession_ Retro Futurism_ Futuristic cityscape_ Synthesis_Childhood classic_ Needless to say_ Multi-perspective combination_ Collage_ Ancient animation_ Lovelorn Front Alliance_ Rotation_ Difference and Repetition_ Dancing Machine_ Spaceship_Arcade Game _ windows98_
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The inspiration for this song's music video actually came from the work of an artist friend of 9m88, featuring a keychain with nine Barbie heads. The friend proposed, "You create the theme song, and I'll make the MV." This casual approach aligns perfectly with 9m88's own style. She transformed the nine Barbie heads into nine different female personalities, each describing the distinct traits of every girl.
The lo-fi visual style, with its absurd humor, reminds me of the DVDs, home videos, and the special effects transitions from the 90s.
🤧
Are you sick of it?
📻
The Pillow- Ride on Shooting Star (FLCL ed)
用邮件传播视频的年代_定格动画_请去看FLCL_你便知道它的好
The age of spreading videos by email_Stop-motion animation_Please watch FLCL_You will know how good it is
Toe, a Japanese band, created a music video in 2006. There isn't much information available online about Toe, but I came across this song while searching for the ending theme of the Japanese drama "SPEC." Despite the scarcity of information, I was captivated by this early music video of theirs.
🍜
This song was recommended by a guest who came to our living room. Amnesia Scanner is a Berlin-based music duo, performing arts group, experience design studio, and production house, created by Finnish-born Ville Haimala and Martti Kalliala. (Intro from Spotify)
☎️
A short film made by French filmmaker and electronic musician Mr. Oizo to promote his latest album, although the character itself was initially created for advertising purposes. This unique character has won the hearts of the public, making the song an instant hit. Much like how I was influenced by "Fantasia 2000," I find myself inevitably drawn to music interpreted by cartoon characters.
✏️
The music video produced in 1985, which won six awards at the 1986 MTV Music Awards, remains a remarkably advanced piece of work even by today's standards, combining 2D and 3D elements. It took 16 weeks to complete, utilizing a technique known as rotoscoping, which is a combination of pencil-sketch animation and live-action footage. This frame-by-frame drawing technique lends a sense of realism to the 2D characters.
bladee - egobaby
时间与空间
_time and space_
🏃go to website version to view our music videos
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